To develop and promote quality artists who are overlooked by the traditional business models of their respective industries and who are currently lost among the unfiltered mass media distribution channels.
Whenever we meet new clients, we get two questions. One is: What the heck is an Oghma? The other, and more important one, is: What is Oghma exactly?
So what are we? Are we a graphic design firm? Web designers? Social media marketers? Editors? Are we an advertising agency or a marketing firm? Are we event planners? The answer to these questions is simple: no. While we offer these and other services, they are not who and what Oghma, excuse me, who we are. That answer is much more complex.
Above all other things, Oghma is about creativity. We are purveyors of imagination and inspiration. Of culture. We are writers, musicians, photographers, designers, painters, poets — the small portion of the population that turns our collective human experience into things that can be perceived by the senses, rather than just the brain. So we are artists, first and foremost. And yes, sometimes we’re even starving. But there’s far more to it than that.
Throughout history – or at least since we developed past nomadic hunting and gathering to form static, complex hierarchical societies – the artist has almost never been able to stand and live on the product of their craft alone. Rather, to have any success or widespread appeal, most have had to turn to a sponsor or benefactor, turning over ownership of the creative process and the art itself to someone else for that person’s entertainment, prestige, and profit. For those fortunate to be deemed worthy of this kind of arrangement, sometimes it turns out to be a blessing, where both parties benefit from the symbiotic relationship. Other times it doesn’t, and the artist ends up being exploited, then discarded. Ask artists if they’ve heard of this kind of thing, and they can tell you a dozen different horror stories about themselves or someone they know being used, lied to, or betrayed by an agent or manager, publisher or record label. That being said, though, at least they were fortunate enough for the opportunity. For every artist given such a chance, there are scores who never are. And those artists are forced to fight and bleed for the opportunity to keep their dream of living by their art alone alive somehow. To catch the eye or ear of a potential benefactor or be one of the very few to transcend the need for one and become household names all on their own.
In this day, potential patrons are a dime a dozen. Some are legit, truly desiring to foster art and take care of those who make it. Many others are not and seek only to exploit the artists for their own profit. Right or wrong, these people and companies shape the cultural marketplace. They decide who gets a chance, who becomes famous, and who does not.
And this is where we come in. Why? Because we’re artists. We’ve been there.
Oghma is here to level the playing field, using our talents and skills, our network and platform, to give every artist a fair shot at living the dream. It doesn’t matter if you’re famous and well-established or unknown and seeking your first opportunity to gain notice in the wider world. We’re ready to roll up our sleeves and help out. Whether you are seeking a contract or prefer to blaze your own path, we’re here to assist you in reaching your artistic goals.
As for what an Oghma is? That’s easy. Oghma is the Celtic god of communication, writing, and eloquence. Now do you get it?
Casey has worked in and around the journalism, artistic, and literary fields for fifteen years. He’s worked as a reporter, photographer and graphic designer for a variety of local newspapers, and recently co-founded Oghma Creative Media, a rapidly-growing publishing and promotion firm based in Northwest Arkansas. As Creative Director, he helps brand, publish, and promote authors nationwide. Casey is the father of six rowdy teenagers and enjoys reading, swimming, and target-shooting in his spare time. He is also currently writing his first novel, Tarleton’s Quarter, the first of an epic four-book series telling the story of a near-future world war in the style of Herman Wouk and Anton Myrer.”
“Gordon Bonnet has been writing fiction for decades. Encouraged when his story Crazy Bird Bends His Beak won critical acclaim in Mrs. Moore’s 1st grade class at Central Elementary School in St. Albans, West Virginia, he embarked on a long love affair with the written word. His interest in the paranormal goes back almost that far, although it has always been tempered by Gordon’s scientific training. This has led to a strange duality; his work as a skeptic and debunker on the popular blog Skeptophilia, while simultaneously writing paranormal and speculative novels, novellas, and short stories. He blogs daily, but is never without a piece of fiction in progress—driven to continue, as he puts it, “because I want to find out how the story ends.”