- Who We Are: Oghma Creative Media is a traditional publisher reaching out to authors who don’t want to take the self-publishing route. We provide a team of editors, designers, and marketers to help bring your work to its finished form. Our goal is to develop long-term relationships with our authors and artists.
- What We’re Looking For: We welcome any form of original fiction and non-fiction and we have multiple imprints that can be a home for your work. We want to tell good stories and share those stories with others. We are not, however, seeking single-book contracts at this time. Our experience has taught us that the only way to market newer authors is with multiple books in short succession—twelve to eighteen books over five to eight years. Therefore, we’re seeking authors with multiple finished books, be they standalone, in a series, or a shared universe. We don’t strictly adhere to a specific word count, either. A work will never be rejected based upon the word count alone.
- What We Pay: We’re a traditional publisher. We pay royalties—a percentage of sales after production costs—on a quarterly basis. Our royalty split is 60/40 (60% for Oghma, 40% for the author) across the board for all formats: e-book, hardcopy, etc. For subsidiary rights—motion picture, television and other dramatic reproductions including, but not limited to web series and stage performances, etc., large print, audiobooks—that split reverses to 40/60 (40% for Oghma, 60% for the author). We do not pay advances.
- Your Rights: Our standard contract covers the right to publish the story through one of our imprints. We request several additional rights: translation, serial, audio, dramatic reproductions, and the inclusion of the Work (including as a selection or shortened) in Oghma-branded anthologies. Our standard contract is for five years from the date of publication.
- How To Submit Your Work: We only accept electronic submissions. Please send the entire manuscript, with a cover letter and a one-page synopsis of the work. The cover letter should be mainly information about yourself and who referred you to us. Other information should include (but is not limited to) why you wrote the manuscript and the genesis of the idea for the manuscript. In the e-mail subject line, please put SUBMISSION: Title/Author Name. Send the e-mail to: email@example.com.
- Consideration: We know you’re anxious to hear back from us, but between our day-to-day publishing business and the sheer volume of submissions we receive, please allow eight to twelve weeks for consideration. If you have questions about your submission, or need to make a change (like a different email address, change of name, or you sent us the wrong file), put “QUERY” at the beginning of the subject line of the email. If for any reason you need to withdraw your submission, please email us as soon as possible with “WITHDRAW” at the beginning of the subject line. Do not, however, send status inquiries until after the first eight-to-twelve week period has elapsed. If your manuscript is rejected, please do not reply asking for further details or suggestions. Again, with the sheer volume of submissions we receive, it would be impossible—and, frankly, counterproductive—for us to review and critique each one. Our general suggestion for rejections is to join a critique group and improve your craft with the help of fellow writers. Likewise, if your manuscript is accepted for publication, please allow six to eight weeks for our Business Department to follow up with you regarding your contract, and do not contact them beforehand.
- Production Timeline: Our standard production time frame is twelve to eighteen months from date of submission of final manuscript, and includes developmental and line editing, design and layout, galley proofing and correction, and production. This is standard and non-negotiable.
If you’re one of our established writers within the Oghma family, and you have a new idea, please contact Publishing Director Gordon Bonnet, Deputy Publishing Director Michael Frizell, Editorial Director Gil Miller, or Development Director George “Clay” Mitchell.